Oblivion: Of Machines and Men

Oblivion is a beautiful film. I'm a fan of sci-fi already; give me an alien invasion, sweeping landscapes, a shattered moon, clever plot twists and beautiful people, and yes - I will be entertained.

Having said that, Oblivion ultimately failed to satisfy, and I left the theater frustrated for several different reasons.

First, Oblivion was a poorly written film with an almost comical amount of plot holes. Since the purpose of this blog is to focus on worldviews rather than the art of storytelling, I will leave it to other sites to provide the details.

Second (and more importantly), the movie failed to give meaningful answers to the questions it raised. As Grantland noted, "Oblivion is something you want to be inside of. Upon entry, you'd have plenty of room to notice how hollow it is."  I firmly agree.

Warning: I'm going to give away the plot. You need the backstory to understand a key worldview question the movie addressed in its own charmingly inept way:  What does it mean to be human?

The Forest of Hands and Teeth

In an attempt to enter into and better understand the stories, worldviews, and messages shaping my kids and the rest of today's youth, I submit my latest review of trending books, films, and TV shows effecting a primarily YA audience. My goal is not to critique the art form as much as look at how the story reflects and shapes  the readers' worldview.

This review will look at Carrie Ryan’s The Forest of Hands and Teeth, the first book in a hugely popular zombie apocalypse series. As is increasingly the case with popular YA novels, a movie is in the works.

There will be spoilers.
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Mary has lived inside a fence all her life. The Unconsecrated (zombies) lurk in the woods, and no one knows if there are any other survivors. The Guardians protect the fences, while the Sisterhood indoctrinates the survivors. Police at the walls of the city; church at the walls of their hearts and minds. The community is ordered, purposeful and exasperatingly pragmatic. Humanity has a long road ahead, and purpose rather than passion will pave the way.

Mary is the now-to-be-expected YA rebel. Though her mother told her stories about the ocean, of freedom and goodness and hope beyond the fence, Mary does not believe her. She also does not believe in a God who allowed her father to become one of the Unconsecrated. One day her mother gives up on her own stories and goes to the fence, allowing herself to be bitten so she can join her husband. Mary holds her until she dies.

This loss of parents is a common plot twist in YA literature.  In every single book I have read in the past year and a half, one or both parents are either gone or dead. Every. Single. One. I’m not sure there is a more obvious marker of the yearning in our youth for stability and love in a culture of divorce and abandonment.

In the brief span between death and Unconsecration, Mary's beliefs about God crystalize:

     “ I stop believing in God… I wait for [the Scriptures] to calm me, to infuse me with light and grace. But it does not come, does not fill the hollow ache inside me. I wonder if I will ever feel whole again now that I no longer believe in God.”

Throne of Glass

In an attempt to enter into and better understand the stories, worldviews, and messages shaping my kids and the rest of today's youth, I submit my latest review of trending books, films, and TV shows effecting a primarily YA audience. My goal is not to critique the art form as much as look at how the story reflects and shapes  the readers' worldview.

There will be spoilers.
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Throne of Glass, by Sarah J. Mass, was named Amazon.com's "Best Book of the Month for Kids & Teens" in August 2012.  Publishers Weekly called it a "strong debut novel," and many other reviewers (though not all) have agreed. As with many popular books, a film is in the works.

I'll be honest: I didn't really care for this book. After reading my initial thoughts, I decided I should rewrite it and spend a little more time on the positive aspects.  However, if you read between (or behind) the lines, you may be able to get a sense of where this review began.

Celaena is a teenage girl who is also the World’s Greatest Assassin. After her parents died, she was raised by a whole bunch of assassins. When the country's king finally manages to capture her, he sends her to the mines to die. 

While imprisoned, she kills 24 guards. Years later, she still remembers one of the guards fondly, specifically“the feeling of embedding the pickax into his gut, and the stickiness of his blood on her hands and face.” Some of those guards had raped a friend; they “died too quickly.” These memories haunt her sleep do not seem to bother her too much.

One day the king’s son, Dorian, unexpectedly pulls her from the mines to enter a contest which will decide the king’s next Champion. If she wins, she gets her freedom after four years of service. Dorian is a blatant womanizer handsome rogue, a man whose renowned prowess in the bedroom on the battlefield is surpassed only by his ability to use people look good. Celaena observes that when he stands up straight, he“looks like a king.” Never has good posture played such a pivotal role in a romance.

Celaena vacilates between blood-thirsty assassin, girly potential princess, and cynical, world-weary girl. Men think she is beautiful when she dresses up, and she giggles. Men mock her in the tournament, and she destroys them.  She dreams of cutting out the king’s heart and smashing in the teeth of her bodyguard, Chaol, then plays piano like a virtuoso, “playing and playing as the sounds forgave and saved her.” She is a hot mess a little bit of everything a woman wants to be.