I read Patrick Ness’s A Monster Calls a year ago. I chose not to write about it because it was too personal, too magnificently beautiful to risk messing with the way it lingered. Now that the movie is out, I think I’m ready.
SPOILERS WILL ABOUND!!
As a young
boy struggles to navigate the reality of his mother’s cancer and the
increasingly futile treatments, a monster calls. This monster, an ancient tree
that comes to life, insists the boy called him. Now that he is there, he will
tell the boy three stories and the boy will tell him the fourth. These storytelling episodes are interspersed
with real world challenges: he is being bullied at school; his estranged father
is visiting again; his relationally distant grandmother is being forced to play
an increasing role in his life; his mother is steadily succumbing to the cancer
she is trying to hard to defeat.
The
monster’s stories are meant to prepare the boy for what is inevitable. When I first read the book, the stories confused me,
but as I watched the movie’s depiction some pieces fell into place. Here’s my
theory for what it's worth. The stories are about some of the greatest fears in
universal human experience: Life is unfair (the first story), hope and faith
can be lost (the second story); and we will never matter (the third story). [1]
As we see
the boy address these fears, he is brought to the fourth story: acknowledging how he feels in the midst of
his mother’s looming death. That story
must be told. He finally tells the monster the first part: he wants his mother
to die. The anguish and uncertainty is too much, and he needs resolution. He eventually
tells his mother the crucial second part: “I don't want you to go.”
I remember
that tension as I watched my father waste away from pancreatic cancer. It
crushed me to watch the progression of the cancer, and there was a selfish part
of me that just wanted it to end. But balancing that was the much stronger
emotion that I never actually voiced to him: I did not want him to die.
When I read
A Monster Calls the first time, thirteen years after the death of my father, I
wept like a child. Somehow, Mr. Ness
captured the fear, anger, heartbreak, and hope that ebb and flow in
circumstances such as this. Reading it brought a catharsis, a cleansing of tear
ducts too long left unused, a purging of some unresolved feelings that maybe I
grieved too much and too long, a burning away of some lingering walls I kept
between my life and my loss. I was undone for day, but that was long overdue. It’s
after we clear the rubble that we begin to truly rebuild.
As a
Christian, I find my ultimate source of hope and peace in Jesus, and in the
promise that (to paraphrase Tolkien) one day all that is bad will be undone.
However, this kind of modern fairy tale offers something very important that
walks hand-in-hand with my eternal hope: a cathartic honesty, a deep empathy,
and a vision of community that can be experienced in a broken and beautiful world.
[1] A friend noted that the first story is about the grandmother, the second about the father, and the third about the son.
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[1] A friend noted that the first story is about the grandmother, the second about the father, and the third about the son.
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