"Monsters come in all shapes and sizes. Some of them are things people are scared of. Some of them are things that look like things people used to be scared of a long time ago. Sometimes monsters are things people should be scared of, but they aren't."
In an attempt to better understand the entertainment shaping my kids and the rest of today's youth, I submit my latest review of books impacting a YA audience. My goal is not to critique the art form as much as look at how the story reflects and shapes the readers' worldview.
This review will look at
The Ocean at the End of the Lane, the latest from best-selling author Neil Gaiman.
The film rights were optioned even before the book's publication date, with no less a name than Tom Hanks attached to the project.
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When the unnamed narrator was a child, a monster began to haunt his town when someone with an unfortunate request released it from its prison:
"Something came to me and pleaded for love and help. It told me how I could make all the things like it happy. That they are simple creatures, and all any of them want is money, just money, and nothing more..."
But, as Chesterton said,
happiness is a hard taskmaster, and there is always something more. When the narrator wakes up with a coin in his throat, he goes to the family of Lettie, a mysteriously ancient girl who claims the pond in her backyard is an ocean. Lettie allows the narrator to accompany when she binds the creature provided he does not let go of her hand. He lets go, of course, and becomes the conduit through which the monster can now readily access the world. That's not good. As Ginnie Hempstock notes,
"It's a dangerous thing to be a door."