"We are trapped in our own situation...We are in darkness, and cannot see. We are ill, and cannot heal ourselves. We are injured, and need someone to bind our wounds. We are trapped, and cannot break free from our captivity. We are addicted to patterns of behavior that we cannot master. We need an illuminator, a healer, a liberator." - Alister McGrath, in RedemptionThe Paperboy, based on Pete Dexter’s 1995 novel, was nominated for a boatload of awards in 2012, including Best Actress (Kidman was even nominated for a Golden Globe), Best Film, Best Supporting Actress, Best Ensemble, and Best Supporting Actor. I occasionally watch award-winning movies just to see what is currently considered commendable, and based on the official site summary, this movie sounded intriguing:
“The Paperboy takes audiences deep into the backwaters of steamy 1960s South Florida, as investigative reporter Ward Jansen (Matthew McConaughey) and his partner Yardley Acheman (David Oyelowo) chase a sensational, career-making story. With the help of Ward's younger brother Jack (Zac Efron) and sultry death-row groupie Charlotte Bless (Nicole Kidman), the pair tries to prove violent swamp-dweller Hillary Van Wetter (John Cusack) was framed for the murder of a corrupt local sheriff. Based on the provocative bestselling novel by Pete Dexter (Mulholland Falls, Rush), The Paperboy peels back a sleepy small town's decades-old façade of Southern gentility to reveal a quagmire of evil as dark as a Florida bayou.”
John Grisham meets James Lee Burke, perhaps? Maybe it would be worth watching. I’m all in favor of a moving story where those who fight for justice wade through the quagmire of sin and defeat evil. Note to self: next time, check out other reviews first, and read the official blurb more carefully. I foolishly assumed that it must take light to "reveal a quagmire of evil as dark as the Florida bayou," and that the purpose of exposing evil was to deal with it. I could not have been more wrong.
