The Raven Boys

"You're looking for a god...watch for the devil. When there's a god, there's always a legion of devils."

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      For those wanting to better understand the stories, worldviews, and messages shaping today's youth, I offer my latest review in a series of trending books, films, and TV shows effecting a Young Adult audience. My goal is not to critique the art form as much as to analyze how the story reflects and shapes the readers' worldview. There will be spoilers.

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Blue, her mother Marua, and her aunt Neeve  have a strong affinity for the supernatural, an awareness of the darker forces lurking behind the veil, and a pretty keen desire to explore realms best left hidden. As part of her magical heritage, Blue is under something of a curse: if she ever kisses her true love, he will die.

     
Gansey, Ronan, Declan and Adam are the Raven boys, students attending an exclusive prep academy during they day while following legend and magic at night. They are dedicated to finding the ley lines, ancient lines of power strapped into the world. The word is that the ancient Celtic heroes such as Llewellyn and Glendower aren't really dead at all. They are impatiently waiting, preserved in the magic of the lines until someone frees them through the power of reciprocity and sacrifice.
   
This is good news to the one Raven boy who actually is dead already (though nobody else knows). And now that Blue is falling for another one of them, finding the lines really is a matter of life and death.
 
Welcome to Maggie Steifvater's The Raven Boys.

Lapsing into Chaos

     German social philosopher Arnold Gehlen talked about two parts of society: the foreground and the background. The foreground is the area of life in which people willingly and freely make choices.  The background is the area in which people automatically fulfill certain societal or communal expectations.

• When Kobe Bryant shoots, his form is background – he’s practiced that shot release ten thousand times, so he doesn’t have to figure out each time where his elbow should be.  His decision when to shoot, however, is foreground.
• When I leave my house, I wear clothes (background), but I choose to wear Ohio State colors (foreground).
• I buy presents at Christmas (background), but choose gifts to match the recipients (foreground).
• At a blinking red light, I stop (background), and I choose to go when there is an appropriate break in traffic (foreground).  

Modernity moves the background to the foreground.  In other words, it takes what we accept as normative and makes it subjective. Before, people went about their daily routine without too much reflection (self-aware choice) on particular issues, as the background institutions in society brought predictability and normalized structure to their lives. Not any more.

Modernity has given the power and heightened the desire of choice.  People have increasingly rejected the power of tradition and institutions and have begun to find their own way through life.

Since modernity has brought about an increasing amount of foreground reflection, we increasingly reject the power of institutions and embrace what Gehlen called secondary institutions, which “offer entire packages of beliefs, norms, and identities to individuals.”

If this is true, it would explain the rise of radical environmentalist and animal rights movements, the increasing polarization in politics, the increased belief in the sacredness of artistic expression, and the monomaniacal fixation on sports among middle and high school families (ever spent a weekend at a travel league soccer tournament?).

All of these things have their place, of course, but not as replacement background institutions which guide and shape every area of life. Based on my past 15 years of working with youth as a pastor and teacher, I believe there are three huge background shifts effecting American culture.

Bitterblue: Fighting for Truth in a Kingdom of Lies

In an attempt to enter into and better understand the stories, worldviews, and messages shaping my kids and the rest of today's youth, I submit the latest review of trending books, films, and TV shows effecting a primarily YA audience. My goal is not to critique the art form as much as look at how the story reflects and shapes  the readers' worldview.

There will be spoilers.
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Kristin Cashore's recently released Bitterblue, the sequel to Graceling, premiered at #2 on the New York Times Bestseller List. If early reviews and previous successes are any indication, the list of accolades will be impressive – and deservedly so. Ms. Kashore is a gifted writer who spends years honing her books, and it shows.

THE BASIC PREMISE


The story takes place approximately 10 years after Graceling ends. Bitterblue, once rescued from certain doom by Katsa and Po, now rules a kingdom still reeling from what Bitterlblue calls “the rape of her mind” by her maniacal father, the former king. He had subjected the realm to unspeakable cruelty with a Grace (a gift) that made people believe the lies he told to cover up his fixation with torture and murder. Many people disappeared when he was alive; many more still hide very dark secrets even though he is long gone.

Though the people are beginning to recover emotionally, physically, and economically, the new queen faces a daunting task. Overwhelmed by responsibilities and immersed in paperwork, Bitterblue passes her days isolated from not only her kingdom but also the servants in the castle. When she finally realizes that this isolation is orchestrated rather than incidental, and that her father’s legacy still rules from the grave, she determines to find out the truth of her father’s lingering influence for herself.

Bitterblue begins to leave the castle, slipping at night “ into a world of stories and lies.” A series of furtive campaigns into the city giver her an unfiltered view of the kingdom. The underground rebellion she finds slowly reveals what she must do to break the nation free from her father’s lingering horrors.

But her father was not the only one with a capacity for deceit, and Bitterblue has a lot to learn about what it means to rule – and live - with truth, justice, and integrity. Secretive advisors and lying friends may surround her, but some secrets are best kept hidden, and the deception of friends may sometimes be a gift. Bitterblue has no Graces, but she has heart, determination, and a longing for truth. Will that be enough?